网友评分810人已评分

6.0

 剧情简介
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
 推荐视频

权力的游戏 第七季

艾米莉亚·克拉克 基特·哈灵顿 彼特·丁拉基 苏菲·特纳 麦茜·威廉姆斯 琳娜·海蒂 伊萨克·亨普斯特德-怀特 尼古拉·科斯特-瓦尔道 约翰·布莱德利 阿尔菲·艾伦 皮鲁·埃斯贝克 吉姆·布劳德本特 格温多兰·克里斯蒂 利亚姆·坎宁安 娜塔莉·伊曼纽尔 杰罗姆·弗林 艾丹·吉伦 艾德·希兰 伊恩·格雷 康勒斯·希尔 克里斯托弗·海维尤 罗伊·麦克凯恩 汉娜·穆雷 卡里斯·范·侯登 因迪拉·瓦玛 杰玛·韦兰 汤姆·弗拉席亚 贝拉·拉姆齐 黛安娜·里格 安东·莱瑟 雅各布·安德森 凯莎·卡斯特-休伊斯 罗莎贝

龙虎风云

周润发 李修贤 孙越 吴家丽 张耀扬 徐锦江

荒野有情天

瑞克·斯克路德 杰克·汤普森 威廉·霍尔登

日暮之歌

阿格妮丝·迪恩 彼得·穆兰 凯文·格思里 伊恩·皮里 罗恩·多纳基 丹妮拉·纳尔迪尼 尼尔·格雷格·富尔顿

人生是一场抗争

海迪·泰迈希 费伦茨·岑特 加博尔·平特 海因里希·施塔尔亨贝格 伊什特万·韦赖拜什 Léticia Cano

百万金臂

乔恩·哈姆 苏拉·沙玛 麦活·米泰尔 阿西夫·曼德维 达尔尚·杰里瓦拉 蕾克·贝尔 艾伦·阿金 比尔·帕克斯顿 马泰 芭儿·帕丽

灵药危情

何杜娟 马启光 叶青青 于思琼 张继国 于青禾

夜审

利诺·文图拉 米歇尔·塞罗尔 罗密·施耐德 吉·马尔尚 皮埃尔·马格隆 艾勒莎·伦琪妮

生命补给

奎恩·拉提法 安娜·迪佛·史密斯 维德尔·皮尔斯

快乐的吉普赛人

贝基姆·费赫米乌 奥利韦拉·卡塔琳娜 韦利米尔·巴塔·日沃伊诺维奇

 用户评论
 正在加载
X